You Don’t Look Like Yourself from MISSING featured on Spotify New Classical.
Read More"...an excellent CD on which Porter fully exploits the tonal qualities of the on-loan 1740 Carlo Bergonzi violin."
Read MoreShane Shanahan interviewed for Celtic Life International.
Read More“This is a deeply emotional album that is both satisfying and stimulating.”
Read MoreCurtis J. Stewart’s Seasons of Change featured on Broadway World.
Read MoreCurtis J. Stewart’s Seasons of Change featured on Night After Night’s For The Record.
Read MoreCurtis J. Stewart’s Seasons of Change featured on The Violin Channel
Read MoreLjova's Cellostatus featured on Modern Notebook.
Read More“This is an impressive piece that needs to be seen across Canada … It tackles a difficult and emotionally charged issue in a way that makes good theatre.”
Read MoreShane Shanahan interviewed on the Jim Masters Show.
Read More“I love playing music that isn’t entirely legible to me right away. The process of translating and imbibing an unfamiliar work is absolutely delicious, and I hope to be able to do this in larger settings beyond solo violin.”
Read MoreCellostatus featured on Night After Night’s For The Record
Read MoreManusa and Cellostatus featured on ASCAP’s New Music Friday.
Read More“Charles Bruffy and the Kansas City Chorale have also explored this legendary caravan route, discovering musical treasures which they offer on their new album The Mirage Calls … While the Escobedo captures the splendor of the Sistine Chapel, the other songs are gorgeous evocations of the Silk Road.”
Read MoreThe Mirage Calls #1 on Amazon Music’s Hot New Releases
Read MoreThe Mirage Calls featured on Apple Music’s Sacred Sounds.
Read More“Now available in Pedja Muzijevic’s scrupulous and thoughtful recording, the piece can be experienced either day by day or as a self-standing, 21-movement cycle. I tried both and found different things to marvel at in this openly expressive music.”
Read MoreSimone Porter’s ad tendo receives a Five Star review on BBC Music.
Read More“As with their performances on this album, Wunsch and Dancigers's compositional styles also complement each other, with the latter's more continuous, incremental, luminous, process-based pieces a foil to Wunsch's ominous quartal harmonies and gritty juxtapositions.”
Read MorePassacaglia in G Minor, C. 105 "Guardian Angel" from ad tendo featured on Spotify’s NPR Classical
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